Getting Noticed in Writing Exams - How to Use Academic Essay Topics to Your Advantage

Getting Noticed in Writing Exams - How to Use Academic Essay Topics to Your AdvantageConfucius is one of the best essay topics for high school students. With his teachings about virtue and politeness, he not only deals with moral issues but also addresses modern issues such as globalization, the impact of technological innovation on the world, the meaning of education, and many other issues. The essay should include his classic commentary on moral philosophy.Essays need to be able to look at the deeper issues in an essay that will serve as the basis for all subsequent discussions. If your essays are too abstract or easy to read, they will not stand out. The essay must at least use a few concepts from his works. You should also examine the way you use his themes and concepts to see how they may be used in your own essays.People often remember you best when you try to speak directly to them in an essay. You can do this with people with their comprehension. After some reflection, you wi ll likely find that some parts of an essay need to be changed to make it more personal.You may have a better chance of getting people to remember your essay if you incorporate some familiar areas and practices. For example, when discussing ethics, you may try to incorporate issues like cooperation, fairness, sacrifice, fairness, and honor. Similarly, your essay could include some quotes from Confucius as well as his philosophy. Doing so will give you a better chance of bringing Confucius into the essay.The ideas you choose to use in an essay should be those that are not too abstract. These will help you avoid plagiarism. For example, the idea of social harmony is rather abstract. It would be hard to show that you can work from this concept in your own essay. If you use a concept like that, you risk losing the credit for creating the original idea and detracting from your achievements as a writer.An essay that contains concepts that can have a major impact on students' lives, whether in their college years or after they graduate, will stand out and gain more attention. You can enhance this effect by setting up the essay topic that you want the essay to tackle. This way, you will not have to worry about what you are going to write, but rather what you are not going to write.These essay topics can be the basis for a great class discussion or research paper. They will enable you to do good teaching and even help you as a writer later on. After all, you are now set to create a learning and research tool that you can use for many years to come.

Health Disparities Among Minorities A Pervasive Problem...

Health Disparities Amongst Minorities Minority health disparities continue to be a pervasive problem within the United States.The Institute of Medicine defines disparity as, â€Å"differences in treatment provided to members of different racial or ethnic groups that are not justified by underlying health conditions or preferences† (Snowden 526). Despite adjustments made to access-related factors, insurance and income, minorities still tend receive lower-quality health care than whites (Flores, Olsen and Tomany-Korman 183). According to the Centers for Disease Control, â€Å"Relatively little progress has been made toward the goal of eliminating racial/ethnic disparities† (Gronman and Ginsburg 226). In this paper, I will describe the different health disparities that racial, ethnic and sexual minorities experience throughout their lives. I will then discuss the policies health care providers and government entities have put in place in order to eliminate the disparities between minorities and whites. Health disparities can start as early as within the womb. White women are twice as likely to access prenatal care in the first few months of pregnancy than minority women. Hispanic mothers are 2.5 times more likely to not receive any type of prenatal care compared to white mothers. African American women have the highest infant mortality rate in the country. They are twice as likely to have an infant die than white women. African American babies are four times more likely to die from

A public life Essay Example For Students

A public life Essay Joseph Papp was the most powerful and  infuential man in the American theatre, dominating his world through the force of his own dazzling paradoxical personality. For him, there was no contradiction in the diverse roles he chose to play. An idealist had to be a pragmatist, for how else would he able to bring his ideals into practice? It was natural that Papp, the preeminent figure in the nonprofit theatre, should become the producer of the longest running Broadway musical of all time. More than anyone, he was the bridge between those two traditionally anthithetical camps, the institutional and the commercial theatre and proved that for continuing coexistence one had to nature the other. Appropriately, Papps funeral was held in one of his theatres. Mournes spoke of him as a friend, father figure, mentor and boss, as a man of principle who never shied from confrontation. After his death, some of the artists who owed their entire careers (or at least the advent of their careers) to him lined up to carp at the fact that he had not given them the theatrical equivalent of academic tenure. Amid all the tributes, there were pockets of criticism, including what may have been the first instance of a paid obituary notice that was less than fully celebratory of the deceased. The Dramatists Guild said that with the death of Papp, its playwright members had sustained a grave loss, then added, in equivocation, He was impulsive, mercurial and grandiose, but he was a generous and loving promoter of our plays wherever he found them. I think Papp would have smiled at that notice, at the critical but an especially at that misspelling. Papp was mercurial in the extreme. In what may have been an attemppt to articulate his philosophy of theatre, he once said, I can bend, backtrack, switch directions, do this or that, whatever is necessary in order to survive. My tactics, out of necessity, keep changing, but my direction has never changed: new plays, new audiences. His legacy endures in the plays and playwrights he introduced, in the actors whose careers he encouraged and in the commitment to theatre that was his hallmark. Fiercely partisan, he stood up for the principles he believed in and for the plays he produced. In his extraordinary career, he found himself on both sides of the firing line as sharpshooter and as target. A favorite role was as critic of the critics and as self-appointed ombudsman, badgering and even banning reviewers when he felt they had been negligent in their responsibility. He could be self-defensive and self-destructive. In pursuit of a populist theatre, he acted as a radical in art and in politics. For him, theatre was a necessity, an instrument of social as well as cultural enhancement. He invented free Shakespeare in the park, a concept that was imitated in cities around the country and he drew many of our finest actors to challenge themselves in classics. In so doing, he brought Shakespeare to generations of theatregoers, although he never did fulfill his goal of creating an American approach to Shakespeare. His career was filled with grand schemes: a black and Hispanic classical company, the Festival Latino, a repertory ensemble that would allow for name actors to perform plays for short seasons (one of several dreams that never reached fruition). In his last years, he began a cycle of the complete Shakespearean canon. In its first life, his company was an actors theatre devoted to the works of that one playwright. But at the Public Theater, the company became a playwrights theatre, as Papp discovered writers like David Rabe and Wallace Shawn, and adopted others like John Guare, David Henry Hwang and David Hare and gave them a continuing platform for their work. After a play failed, he would ask the playwright what play he wanted to do next and then he woudl produce it, sometimes without ample regard for the works artistic merit. Similarly, a directors failure would be followed by an opportunity for redemption with another production. Papp banked on the development of careers, and with encouragement often came artistic accomplishment. He was surrounded by controversy and criticism, for what he did and for what he chose not to do. Though the New York Shakespeare Festival was the major American theatre of its time, it never produced a play by Tennesse Williams or Arthur Miller. Other significant younger writers appeared irregularly; Papps encounter with Sam Shepard, for one, was disastrous. Many of our best women writers have never had a play produced at the Public. But the theatre did present controversial works by Caryl Churchill, Ntozake Shange and Elizabeth Swados, and the Public was Vaclav Havels home in exile. Papps critical blind spots could change with the seasons, and his choice of plays was not as exclusionary as it might have seemed. His eclcticism ran from Arthur Wing Pinero to Miguel Pinero. In his theatre as in his life, he was an ardent advocate for civil and human rights, and he supported his positions through the plays he produced. He championed theh role of minorities in the theatre, crosscasting plays before that policy was generally accepted. Even when there was an urgent need for money, he rejected grants on moral grounds, and he was the first to demonstrate for free speech and against eradicating theatrical landmarks. With his natural flamboyance, he became a highly visible and therefore vulnerable figure on the theatrical landscape. The actor side of Papp could play to the grandstands, media-dramatizing his case. In the most literal sense, he was an opportunist. When he was attacked, he attached back. When he was struck by a financial crisis, he would announce an expansion. Defeat was not a word in his vocabulary. He was never at loss for ammunition; his mouth was his most effective weapon, turning failure into a psychological victory. Despite his eminence, he regarded himself as an underdog, and during his brief foray onto Broadway with a season of new plays, he boasted of his playwrights as renegades. Ironically, he became an insider, a producer who could have transformed Broadway, had he chosen to do so. He learned to use himself as a selling point, and became his own best spokesman and fund-raiser. Papps portrait, looking like a Tammany politician, would appear in advertisements for his theatre. In one daring performance venture, he did a one-man cabaret show, singing Depression songs like Brother, Can You Spare a Dime? and directly confronting his disarmed critics. As always, Papp sang and danced to his own tune. Informally and never for attribution, his people referred to him as the Godfather, a title that was not necessarily intended to be pejorative. Rewarding the faithful, punishing the faithless and the cowardly, shunning at least for a time dissidents, he was responsible for everything, including art, that emerged on stage at the Shakespeare Festival. In terms of his personal decision-making, he was not so far removed from the old Hollywood studio chiefs. Just as a self-perpetuating tycoon selected and cast movies according to his wishes, Papp decided what he wanted to do and when he wanted to do it and when he had to cut his losses. As a working director and playwright manque he could step in and assume control of an individual project. He would have preferred to write his own reviews. Where the Hollywood moguls were entrerpeneurs and, for the most part, not distinguished in matters of taste, Papp was a man of artistic sensibility and social conscience. He was shrewd, strong-willed and singleminded. He could also be sentimental. One never knew what he might do next: a cutting-edge experiment by Mabou Mines or a revival of a nostalgic Broadway comedy (Cafe Crown). He might close a show before it opened, fire a director and take over the staging, or extend the run of a play in the face of negative notices. Once had suddenly, closed a play on opening night, before my favorable review was printed in the next days newspaper. He agonized before taking over the theatre at Lincoln Center, and then when his work was on an upswing (matching innovative directors with classics), he surrendered his position and, in typical fashion, made it sound like a positive step. Papps mood was a variable as the weather in Central Park. A clear sky could rumble into a storm, but, as in the park, the performance continued. To him, theatre was not a business. He was a patron of the arts. There was always a double meaning in his concept of free Shakespeare. It was his conviction that theatre should be as public as libraries. One should be able to check out a production, as, in his youth, he could check out a book from the library in Williamsburg, Brooklyn. At the same time, he wanted to liberate Shakespeare from textbook traditionalists and elocutionary Englishmen. Papp was not a theatrical visionary like Stanislavsky or Grotowski. His theatre was not influential in the sense of the Comedie Francaise, the Moscow Art of the Berliner Ensemble. He created no new acting style, and, in the long run, the plays he produced could not be considered a body of work. However, as an institution, the Shakespeare Festival was our most important theatre. It preceded the burgeoning of the regional theatre movement, which brought about the decentralization, fragmentation and enrichment of the American theatre. As the New York equivalent of a regional company, the Shakespeare festival presaged the rise in New York of other, similarly intentioned organizations, inlcuding the Manhattan Theatre Club, Circle Repertory Company and Playwrights Horizons. When Papp was on top of several spheres, having spread his producing wings to encompass Broadway and Lincoln Center as well as Off Broadway and Central Park, I wrote, Without him, there would be a vast emptiness in the American theatre, and posed the question, Who would do all those plays, fill all those stages, employ all those actors? With Papps death, one suddenly realized how many evenings, how many hours had been spent in his theatres how much, in fact, he had determined the very course of theatre in his lifetime. Mel Gussow is a theatre critic for the New York Times. This article is based on material from a forthcoming book on Joseph Papp and the New York Shakespeare Festival. What Gives My Life Meaning EssayTHOUGHTS ON THE FUTURE   The day i walked into joseph papps office last March, he was talking David Greenspan out of directing Congreves The Way of the World with an all-male cast. When JoAnne Akalaitis phoned to intercede on Greenspans behalf, the cantankerous Papp upbraided her, declaring, Im not some sort of far-out pseudo-liberal! That exclamation might come as a surprise to those who know Papp and his causes how he has fought tirelessly for the inclusion of minorities in theatre, battled Jesse Helms in the National Endowment for the Arts controversy, and would have actively protested the Persian Gulf War had his health been better. But Papp had been going through a period of intense self-examination: He was trying to pass on his knowledge of the theatre to Akalaitis, and thus was having to think about things he had previously done on instinct. What seemed to emerge were a number of precepts that suggested Papp the Producer had quite a different set of ideals from Papp the Liberal. Q: This season you gave each of your associate directors including Greenspan a theatre with the understanding that theyd have artistic freedom in using it. Are you reneging on that? A: If I see us headed for disaster, Im going to stop it. I have a responsibility. I am an anti-censorship person, but Im also in the position in which Im saying, No, you cant do this. The New York Shakespeare Festival is an institution, not just a couple of guys and girls Off Broadway doing a show. . . .You have to be conscious of the fact that you have a $14-million-a-year operation that weve cut down to $12 million. Once I say to somebody, This is your theatre, its a relative statement. We finance it, but Im not a corporation or a foundation. Im an artistic person, so there are aesthetics in this institution. Its a delicate balance. Only someone of my experience can possibly walk that kind of tightrope. You dont practive democracy in the theatre. In arranging the New York Shakespeare Festival so it can eventually go on without you, why did you choose JoAnne Akalaitis? We have different aesthetics in a certain sense, but in terms of the way we look at life, were pretty close. I didnt want to get a duplicate of me. But I wanted somebody interesting, provocative and somebody who loves theatre. She has a single agenda: the theatre. You referred to your painful cutbacks. How worried are you about the future of the festival? Im worried, but I feel strong because of the artistic changes that are taking place. Ill lose some and gain some, but my gains will be better because they have a cutting edge on them. The directors are anything but conventional. There are at least 10 others I couldve chosen. I didnt make a mistake with any of them. Im extremely happy. You once said that if the New York Shakespeare Festival ever went down, youd rather have it die with a bang than a whimper. Now Im in a totally different frame of mind. I dont want to see this place to go down on any kind of scale. There would be a huge gap withou this institution. Have you always been a fighter? Ive been this way all of my life. I dont know if youd call that a fighter. I just hold onto things. I dont like to be pushed around, particularly on fundamental issues that affect our democratic system. Sometimes over the past few years, your role as a spokesman for various causes seemed to eclipse your life as a theatre producer. I was finding it more interesting to fight for freedom of expression than to put on plays. It was a more direct way of dealing with things. I spent months on the NEA situation because I was getting bored with the theatre. But I dont say that now. There have been many rumors about your health. Are they true? I dont know why people are so interested in somebodys health. I could say my health is nobodys business. But if Im dying, youll know it. Its not like Im some old king thats dying and making bum decisions. Nonetheless, do you ever feel any parallels with King Lear these days? No. He was crazy. Mymind has never been clearer.

The Love Song Of J. Alfred Prufrock Essay Thesis Example For Students

The Love Song Of J. Alfred Prufrock Essay Thesis The Love Song of J. Alfred PrufrockWhen our lives begin, we are innocent and life is beautiful, but as we grow older and time slowly and quickly passes we discover that not everything about life is quite so pleasing. Along with the joys and happiness we experience there is also pain, sadness and loneliness. Hemingways A Clean, Well-Lighted Place, and Eliots The Love Song of J. Alfred Prufrock both tell us about older men who are experiencing these dreadful emotions. In Hemingways short story there are three characters, two waiters and their customer. Of these three, two are older men who are experiencing extreme loneliness. The customer sits alone drinking his glasses of brandy slowly, and very carefully, peacefully becoming drunk. While he is meticulously drinking his alcohol, the two waiters talk about him. They discuss his suicide attempt of the week past. The younger waiter doesnt seem to understand why a man with money would try to end his life. We will write a custom essay on The Love Song Of J. Alfred Prufrock Thesis specifically for you for only $16.38 $13.9/page Order now Although the older waiter seems to have an insight into the customers reason, he doesnt share this with the younger one. He seems to know why this deaf old man is so depressed, and sits there alone and silent. When the younger waiter rushes the customer, the older waiter objects. He knows what it is like to go home to emptiness at night, while the younger man goes home to his wife. The older waiter remarks on the differences between him and his younger companion when he says, I have never had confidence and I am not young. He tells the waiter and us that he prefers to stay in a well-lit place instead of going home to darkness and loneliness. When he does go home, he waits until daylight to sleep. The light seems to cure his inner darkness, his despair at being alone, and his despair at the nada-ness in his life but only temporarily. In T.S. Eliots poem J. Alfred Prufrock tells the reader of his fear of rejection. He is a lonely man and wants to ask someone to make his life a little less desolate. He doesnt know what to say or how to ask. We are at a party, a setting Prufrock seems to visit often. He tells us about himself, his bald spot, his skinny arms and legs. He knows that the people at the party will talk about those flaws in his appearance. Prufrock is so unsure of himself that while trying to find a way to ask his question, he loses the opportunity to ask it. He loses his chance at ending the nothingness that seems to fill his life as well. His uncertainty and his inferiority complex are touchingly revealed when he tells us, I have heard the mermaids singing, each to each. // I do not think they will sing to me. It is this forlorn attitude that moves us. He is extremely lonely and yet, he cannot do anything about it. In both these works men talk of loneliness and sadness. They are all alone in a world filled with people. The misery they experience from this feeling of solitude moves the reader because we have all at one point or another felt likewise even if not to that intensity.

Lifes What Ifs

Lifes What Ifs Free Online Research Papers Planning and budgeting for lifes normal living expenses, i.e.; food, utilities, housing, medical insurance, and transportation, is fairly simple. It is the little what ifs that can run the train off the tracks. Getting on board with a budget is great as long as it is realized that Murphy could buy a ticket and jump on the train anytime. This is the first step in planning for the unexpected. Life throws out many challenges and being prepared is on of the most important things in having a budget. Irregular bills, such as; the ones due every six months, or the ones you can not predict, need extra planning for. Unexpected expenses like; auto repair, need of a new lawnmower, a roof that needs repair, an unexpected disability, or losing your job, can be devastating. (Unexpected Expenses Derail the Debt Reduction Train, 2008). While planning a budget it is besgt to list any irregular and unexpected expenses that may occur. Setting up a separate fund for Christmas and birthdays is a good idea also. This will help to keep from using credit to get gifts. (Unexpected Expenses Derail the Debt Reduction Train, 2008). Setting prioritiesin your budget will also help to pay what has to be paid first and you can see what is left for the what ifs. As lifes little unexpected occurences happen it is best to take as many precautions as possible. The best way to prevent a bad situation is to set up a fund fot the worst scenario. This fund is called the emergency fund. It needs to have at least three to six months necessary living expenses in it. The fund should be put into an accessible account in case an emergency does arrive. (How to Prepare for Lifes What Ifs, n.d.). If, after a budget has been set up, it looks like there is not enough to put into this fund, then revisiting avenues to cut back is wise. (Unexpected Expenses Derail the Debt Reduction Train, 2008). Being financially prepared will help in securing your credit score. In case of job loss, it could mean the difference in obtaining a new job, obtaining a new residence, or being accepted on a credit application. Having and managing a personal budget is one of the most important things to be done in lifes little what ifs. Research Papers on Life's What IfsTwilight of the UAWThe Project Managment Office SystemNever Been Kicked Out of a Place This NiceBionic Assembly System: A New Concept of SelfBook Review on The Autobiography of Malcolm XHip-Hop is ArtMind TravelGenetic EngineeringPersonal Experience with Teen PregnancyInfluences of Socio-Economic Status of Married Males

Material Assignment Example | Topics and Well Written Essays - 3500 words

Material - Assignment Example It is being increasingly realized that research and development is critical to components such as the crankshaft due to the complexity of the system. Rapid advancements in technology and the inclusion of computer systems have led to an increase in the life and strength of crankshafts. However, the demands placed on the crankshaft have also increase with the development of high speed engines that produce more power and place new challenges to the design. Apart from some basic manufacturing precautions, new standards for the manufacture of crankshafts have been found out such as the ratios between its various components. There have also been advancements in the choice of materials for the manufacture of the crankshafts such as the use of aluminium and magnesium. However, they are largely application dependant and hence it is extremely important to consider this before the design and manufacture of the crankshaft. There is no perfect crankshaft; rather emphasis must be placed on develop ing an optimal crankshaft for the required application. The use of computer technology will further determine the course of the traditional crankshaft. Another important factor is the development of alternate systems of power for the automobile. As hard as it is to predict the future of the humble crankshaft, current efforts are being made towards the development of stronger and more efficient crankshafts. Though the modern automobile in the form that is currently seen took a number of decades to develop, the use of crankshafts in powered automobiles is as old as the first steam engine propelled vehicle developed by Joseph Cugnot in 1769 (Derry and Williams, 1993). Crankshafts ever since have been satisfying the need to convert the-to and fro motion of the engine, be it steam powered, diesel powered or any other type of engine, to circular motion of the wheels. However, recent factors mainly environmental, and political and

Run to win marathon Essay Example | Topics and Well Written Essays - 1250 words

Run to win marathon - Essay Example Run to win is a half marathon planned for sports men. A half marathon is the longest running event that is for experienced runners. This race is on 21 km or 13.1 miles. It is called a half marathon because it is half the distance of a marathon and is run on the road.The distance is challenging but it does not require the extensive training one has to go under in a marathon. Some places the half marathon is also known as 21k. Usually people tend to start with a half marathon and then take up the challenge of a marathon. (Dostoc, 2011)This physical and mentally demanding excursion requires a lot of training and proper preparation if being attempted for the first time. Proposed Date: 12 February 2012 Location: --- Time: 8 am-2 pm Event Objectives Primary Objective To ensure that top major athletes attend this half marathon on 12 February 2012 and make this event a major success. This will be achieved by inviting the athletes personally by telephone and personal invitation and making sur e the event is well attended and proper coverage is provided. (Smart Plan, 2011) To achieve coverage, the management will make sure that the proper authorities are notified and that word gets out and the respective media makes the event a smashing success. In short to make sure that the even brings in top people and proper coverage is provided to them. Financial Objective The financial objective of this event is to gain enough sponsors to support the financial cost of this event and churn out a profit if possible. The prize money is such to entice top athletes so that the event becomes a successful one and draws in big crowds. As its both open to males and females thus it would be only fair if the prize money is awarded to both the top contestants and runner ups in both the gender. It is decided thus to either breakeven or to run into a profit which would thus lead into further event planning generation. The prize money for the winner could be settled at $2000 followed by $1500 for the second runner up and $500 for the third runner up. All these figures are estimation and a minimum figure is thus provided and is not final. These values are both for males and females separately. (Dostoc, 2011) Event Details The event is aimed at the young and upcoming athletes along with the mixture of some top class professionals to make the competition exciting. This is done to let the young and upcoming athletes to show case their sportsmanship and talent and with a desire to win the prize money, the event sure is to draw a lot of attention and competitors from all around the country. Also with the event being a prominent one the outreach would be huge because of the media coverage that would be present before and during this event. Activities The race being the main event and activity itself is not the only main attraction of the event. To make this event a more bigger and better success, I decided to put in some extra events so that not only the athletes and racers could p articipate but also the general audience or the spectators of this exhilarating race could take some interest too besides watching. Included is a costume contest competition, during the race there are some tricky fun obstacles to make the race more interesting and challenging. Also to make it sort of more exciting the audience gets a chance to enter into a lucky draw that sort of works on the ranking of the racers in the events. (Active Network, 2011) Promotion The promotion of this event is a must and thus needs to be on an extensive scale so that majority of the people are made aware of this event and are thus attracted towards it leading it to make it a success. The most likely options include that of social networking and social media, chiefly Facebook, twitter, MySpace, Google plus and the likes. (Goshen, 2010) Social media penetration would guarantee a lot of exposure and platform but is not enough, so poster, word of mouth leaflets and such conventional and popular mediums wo uld also be favoured too. The cost for these would raise